TONY TAKITANI
Wednesday, November 28, 2007
Tuesday, November 27, 2007
PLATFORM-Michel Houellebecq
Recomendación del Sur
Playa Blanca
Album from the Frech label Tricatel- "Presence Humaine"
"Platform was written before Sept. 11, before the murder of tourists in Bali, before the attack last October on the Moscow theater, before the kidnapping of Western tourists in Algeria. Because it includes an attack on Western sex tourists by Islamic terrorists, "Platform" has been called prophetic. That is to deny the power and clarity of Houellebecq's vision, to indulge in what Berman has identified as the Eurocentrism that, following the fall of Communism, led the West to conclude that all those exotic, funny countries posed no threat to us. It's ironic that a writer who has been accused of racism has written a novel in which, though his narrator proclaims he has no knowledge of the modern world, the fates of the West and East are inextricably linked. If there's anything prophetic in "Platform," it's the section that must have seemed satirical to Houellebecq when he wrote it: editorials in French newspapers condemning the attack but saying that the Westerners had it coming. "Faced," one of Houellebecq's fictional editorialists writes, "with the hundreds of thousands of women who have been sullied, humiliated, and reduced to slavery throughout the world -- it is regrettable to have to say this -- what do the deaths of a few of the well-heeled matter?" You can hear echoes of that in Noam Chomsky's lie that as many people were killed in the American bombing raid in Sudan as in the Sept. 11 attacks, or in Michael Moore's contention that this is what happens when Americans want their Nikes."
By Charles Taylor-Salon
Elementarteilchen-Elementary particles(trailer)
Also see:
Moritz Bleibtreu in:
"DAS EXPERIMENT"
"IN JULY"
Martina Gedeck in:
"The Lives of Others"
Franka Potente & Moritz Bleibtreu in:
"Run Lola Run"
Playa Blanca
Album from the Frech label Tricatel- "Presence Humaine"
"Platform was written before Sept. 11, before the murder of tourists in Bali, before the attack last October on the Moscow theater, before the kidnapping of Western tourists in Algeria. Because it includes an attack on Western sex tourists by Islamic terrorists, "Platform" has been called prophetic. That is to deny the power and clarity of Houellebecq's vision, to indulge in what Berman has identified as the Eurocentrism that, following the fall of Communism, led the West to conclude that all those exotic, funny countries posed no threat to us. It's ironic that a writer who has been accused of racism has written a novel in which, though his narrator proclaims he has no knowledge of the modern world, the fates of the West and East are inextricably linked. If there's anything prophetic in "Platform," it's the section that must have seemed satirical to Houellebecq when he wrote it: editorials in French newspapers condemning the attack but saying that the Westerners had it coming. "Faced," one of Houellebecq's fictional editorialists writes, "with the hundreds of thousands of women who have been sullied, humiliated, and reduced to slavery throughout the world -- it is regrettable to have to say this -- what do the deaths of a few of the well-heeled matter?" You can hear echoes of that in Noam Chomsky's lie that as many people were killed in the American bombing raid in Sudan as in the Sept. 11 attacks, or in Michael Moore's contention that this is what happens when Americans want their Nikes."
By Charles Taylor-Salon
Elementarteilchen-Elementary particles(trailer)
Also see:
Moritz Bleibtreu in:
"DAS EXPERIMENT"
"IN JULY"
Martina Gedeck in:
"The Lives of Others"
Franka Potente & Moritz Bleibtreu in:
"Run Lola Run"
Monday, November 26, 2007
Invitaciones del Sur & Norte
Thursday, November 15, 2007
Monday, November 12, 2007
Saturday, November 10, 2007
To IG
'Cause it's a bittersweet symphony, this life
Trying to make ends meet
You're a slave to money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places
where all the veins meet yeah
No change, I can't change
I can't change, I can't change
But I'm here in my mind
I am here in my mind
But I'm a million different people
from one day to the next
I can't change my mind
Musica & Lyrics by The Verve.
Trying to make ends meet
You're a slave to money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places
where all the veins meet yeah
No change, I can't change
I can't change, I can't change
But I'm here in my mind
I am here in my mind
But I'm a million different people
from one day to the next
I can't change my mind
Musica & Lyrics by The Verve.
Friday, November 09, 2007
Antonio Vega
El Sitio de Mi Recreo
Oceáno de Sol
Antonio Vega Tallés es un músico español nacido en Madrid el 16 de diciembre de 1957. Mediano de siete hermanos, su padre es un prestigioso médico leonés de Carrizo de la Ribera especializado en la traumatología. En 1978 forma la banda Nacha Pop que proviene de otra banda, Uhu-Helicopter, en la que militaba su primo Nacho. En 1980, Nacha Pop edita su disco de presentación, en 1988 el grupo se separaría definitivamente y tras esto Antonio comenzaría su carrera en solitario. Source:Wikipedia
"Imagination is more important than knowledge."
Albert Einstein
Oceáno de Sol
Antonio Vega Tallés es un músico español nacido en Madrid el 16 de diciembre de 1957. Mediano de siete hermanos, su padre es un prestigioso médico leonés de Carrizo de la Ribera especializado en la traumatología. En 1978 forma la banda Nacha Pop que proviene de otra banda, Uhu-Helicopter, en la que militaba su primo Nacho. En 1980, Nacha Pop edita su disco de presentación, en 1988 el grupo se separaría definitivamente y tras esto Antonio comenzaría su carrera en solitario. Source:Wikipedia
"Imagination is more important than knowledge."
Albert Einstein
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